Play Along Piano

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counterpoint

Op. 27 - Double Canon

Bradley de Lucia

2:47	Est. Play Time
95	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	3	5	74%
		15	0	2	5	95%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	3	5	74%
		15	0	2	5	95%
		15	0	2	5	97%
		18	0	3	5	77%

Buxtehude - Trio Sonata No.4 in B. {Professional production full score.} Unfinished.

Jamie Holdham

1:10	Est. Play Time
220	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		9	10	0	2	100%
		13	5	0	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		9	10	0	2	100%
		13	5	0	2	100%
Cembalo.		12	0	0	2	100%
Violino.		19	0	3	6	79%
Viola da gamba.		17	0	4	6	42%

J.S. Bach, Well Tempered Clavier Book I, Fugue 8 in D-sharp Minor

sjforman

2:54	Est. Play Time
87	Measures
	2,284Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	0	4	8	99%
		30	0	5	5	46%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	0	4	8	99%
		30	0	5	5	46%
Soprano		19	0	2	7	99%
Alto		26	0	3	8	50%
Bass		30	0	5	5	46%

J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714

BSG

1:22	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

First Fugue I Ever Finished

Oskar Björkman

1:16	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	1	4	6	98%
		20	2	4	5	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	1	4	6	98%
		20	2	4	5	71%

T.L de Victoria: Eram quasi agnus

BSG

2:19	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
Tenor		10	0	2	6	94%
Baritone		12	0	3	6	59%

J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)

BSG

3:10	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
Oboe		20	0	8	9	74%
Bass		15	0	3	5	67%
Soprano		17	0	6	7	64%

Diatonic canons on an 8 note theme

boblucassen

4:40	Est. Play Time
73	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	12%
		5	0	0	3	12%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	12%
		5	0	0	3	12%
		17	0	1	6	34%
		19	0	3	6	69%
		16	0	3	6	96%
		9	0	0	5	98%

Sohon Kingdom Suite (Audio Source) (MCC #2)

Dun Ought

10:33	Est. Play Time
220	Measures
	6,545Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	1	5	4	29%
		19	2	4	5	27%
View all 22 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	1	5	4	29%
		19	2	4	5	27%
Contrabass		15	0	1	9	73%
Violoncellos		14	0	1	7	73%
Violas		7	1	5	7	70%
Violins II		8	0	3	8	70%
Violins I		16	1	3	9	68%
B♭ Clarinets		28	23	7	8	49%
Oboes		20	3	3	8	44%
Horns in F		25	37	1	7	33%
Flutes		26	3	5	8	30%
Timpani		7	0	0	7	30%
Bass Clarinet		13	0	0	6	28%
Electric Bass		12	0	0	3	24%
B♭ Trumpets		18	0	3	6	21%
Piccolo		22	0	3	7	19%
Synthesizer (Square)		21	0	9	8	15%
		18	0	8	9	15%
		19	0	7	8	15%
Violin Solo		17	1	0	5	10%
		21	0	4	8	7%
B♭ Clarinet Solo		20	0	4	8	10%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

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